enamel

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Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x Medieval Art, Oklahoma Museums, Romanesque Art, The Cloisters, Antique Boxes, Classic Image
Chasse with Christ in Majesty and Apostles | French | The Metropolitan Museum of Art
Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x
MI PARAISO ESCONDIDO: RELICUARY VERMUCLE LOUVRE. Painted Chest, Painted Boxes, Wooden Boxes, Medieval Period, Medieval Furniture, Antique Furniture, Art Roman, Art Sacre
RELICUARY VERMUCLE LOUVRE.
MI PARAISO ESCONDIDO: RELICUARY VERMUCLE LOUVRE.
Reliquiario Becket Medieval World, Ancient Jewelry, Santo Tomas Becket, Web Gallery Of Art
Maggio 2013 – Reliquiosamente
Reliquiario Becket
Reliquary Pendant for the Holy Thorn The British Museum, London Copyright © The Trustees of the British Museum The Holy Thorn, from the Crown of Thorns worn by Christ before and during the Crucifixion (Matt. 27:29), was a celebrated relic during the Middle Ages. The thorn in this reliquary may have come from the Crown of Thorns that was purchased by King Louis IX of France (St. Louis) in 1238 from the Latin Emperor of the Kingdom of Jerusalem, Baldwin II. Jewelry Art, The War At Home, Moyen Age, Ancient Artifacts
Reliquary Pendant for the Holy Thorn The British Museum, London Copyright © The Trustees of the British Museum The Holy Thorn, from the Crown of Thorns worn by Christ before and during the Crucifixion (Matt. 27:29), was a celebrated relic during the Middle Ages. The thorn in this reliquary may have come from the Crown of Thorns that was purchased by King Louis IX of France (St. Louis) in 1238 from the Latin Emperor of the Kingdom of Jerusalem, Baldwin II.
Scott Pirie
Scott Pirie
Reliquary Casket with symbols of 4 evangelists Limoges, Art Nouveau, Reliquary
Reliquary Casket with symbols of 4 evangelists
Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x Wood Box Design, Cloisonne, Book Of Kells, Romanesque
Chasse with Christ in Majesty and Apostles | French | The Metropolitan Museum of Art
Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x
A quatrefoil-shaped harness pendant of the medieval period (13-14 C). Cast copper alloy. It bears a decorative design consisting of a central six-petalled flower and adjoining foliage in each lobe. The flower is inlaid with blue enamel, and the field with red enamel. Most of the enamel survives, but the suspension loop is broken. 33.8mm x 29.6mm, 9.12g. UKDFD 44750 Medieval Dress, 13th Century Fashion, Jhd, Metal Detecting, Quatrefoil, 15th Century, Harness, Bears
Message - UK Finds Database
A quatrefoil-shaped harness pendant of the medieval period (13-14 C). Cast copper alloy. It bears a decorative design consisting of a central six-petalled flower and adjoining foliage in each lobe. The flower is inlaid with blue enamel, and the field with red enamel. Most of the enamel survives, but the suspension loop is broken. 33.8mm x 29.6mm, 9.12g. UKDFD 44750
Quatrilobed Plaque, c. 1300-1310 probably by Guillaume Julien (French) Gold, translucent enamel, Overall - h:4.80 w:4.80 cm (h:1 7/8 w:1 7/8 inches). The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken 1932.537 Cleveland Museum of Art Gold Jewellery, Cleveland Museum Of Art
Artwork Details Page - 1932.537 | Cleveland Museum of Art
Quatrilobed Plaque, c. 1300-1310 probably by Guillaume Julien (French) Gold, translucent enamel, Overall - h:4.80 w:4.80 cm (h:1 7/8 w:1 7/8 inches). The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken 1932.537 Cleveland Museum of Art
An artist of great skill produced these precious enamels for a wealthy patron. They may originally have been set like jewels in an altar or a reliquary or have been sewn to textiles such as altar cloths, bishops' mitres, girdles, or gloves Art Deco Jewelry, Modern Jewelry, Metal Jewelry, Gold Jewelry, Jewelry Ideas, Medieval Necklace
Four Enamel Plaques | French | The Metropolitan Museum of Art
An artist of great skill produced these precious enamels for a wealthy patron. They may originally have been set like jewels in an altar or a reliquary or have been sewn to textiles such as altar cloths, bishops' mitres, girdles, or gloves
#BeingRoman Copper alloy zoomorphic bird brooch. Found during excavations at the amphitheatre. Roman Artifacts, Animal Jewelry, Antique Rings
#BeingRoman Copper alloy zoomorphic bird brooch. Found during excavations at the amphitheatre.
Corinium Museum
Corinium Museum
Reliquary Shrine, second quarter of 14th century Attributed to Jean de Touyl (French, died 1349) Made in Paris Gilt-silver, translucent enamel, paint Religion, Arte Popular, Diptych, Gothic Art
Attributed to Jean de Touyl | Reliquary Shrine | French | The Metropolitan Museum of Art
Reliquary Shrine, second quarter of 14th century Attributed to Jean de Touyl (French, died 1349) Made in Paris Gilt-silver, translucent enamel, paint
Dragonesque Brooch Roman Britain, 1st or 2nd century AD The ‘dragonesque’ form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native artistic taste. Dragonesque brooches were not only decorative objects, but also functional fasteners - a strongly-curved pin (missing on this example) would have held a thick fold of cloth. (Source: The British Musuem) Historical Artifacts, Roman Jewelry, Old Jewelry, Vintage Jewellery, Ancient Rome, Ancient History
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Dragonesque Brooch Roman Britain, 1st or 2nd century AD The ‘dragonesque’ form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native artistic taste. Dragonesque brooches were not only decorative objects, but also functional fasteners - a strongly-curved pin (missing on this example) would have held a thick fold of cloth. (Source: The British Musuem)
Dragonesque Brooch Roman Britain, 1st or 2nd century Ad; the form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native Celtic artistic taste. Celtic Jewelry, Ancient Key, Ancient Romans, Celtic Symbols
Dragonesque Brooch Roman Britain, 1st or 2nd century Ad; the form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native Celtic artistic taste.
Etienne
Etienne
Another example of a Dragonesque Romano-British brooch. From the website's description: "The underlying, abstract, Iron Age design is that of two cornucopias, joined ‘mouth to mouth’ at the centre. However, where the ‘mouths’ of the cornucopia would have butted, the ‘S’ shape has been expanded to allow for extensive enamelling." Renaissance Jewelry, Aged Jewelry, Metalwork Jewelry, Ancient Art
Record ID: ESS-142D56 - ROMAN brooch
Another example of a Dragonesque Romano-British brooch. From the website's description: "The underlying, abstract, Iron Age design is that of two cornucopias, joined ‘mouth to mouth’ at the centre. However, where the ‘mouths’ of the cornucopia would have butted, the ‘S’ shape has been expanded to allow for extensive enamelling."